Historic Dressup and Explorations
Workday 19/11/2024
Having worked in the office for a few months, the team knew I’d be thrilled to handle the century-old costumes of Henry and Marie Clews. I was incredibly fortunate to not only take them out but also design a space for them in the Gothic dining room, touch them, sketch them, and even try on one of Marie Clews’ dresses. his once-in-a-lifetime opportunity taught me the importance of precision and care in preserving history while sharing its beauty with others. The joy of seeing the artists engage with these pieces made it even more memorable.
After working on the costume display, I assisted Lauriane in preparing for the children’s stained glass workshop in the Gothic dining room. Although this was outside my expertise and Lauriane’s first attempt at such a workshop, we spent 2-3 hours experimenting with paints, acetate, and papers to find the best technique for creating a stained glass effect. This process encouraged me to think as a designer about the workshop’s accessibility, considering both the simplicity of the task and the attention span of children aged 5 to 10. In the end, we successfully created a beautiful and achievable design, ensuring a fun and creative experience for the children.
To wrap up a super busy day, I found myself in charge of organizing yet another artist’s birthday, which was kept a secret until the last moment. This experience reinforced how crucial my role is as a bridge between the office and the artists. By maintaining open and soft communication, I’m able to gather important information and stay updated. I quickly informed the head director, who was able to adapt to the last-minute request, and we all celebrated with some nice Prosecco to close the evening. It was a reminder of how effective communication can make even unexpected tasks run smoothly.